Inside the box(March 2015) This composition is an octophonic sound spatialisation specifically designed for Soundkitchen EARspace 2015, Birmingham (UK), where the listener is surrounded by 8 loudspeakers as if s/he was inside a music box. |  |
Dark Room(February 2015) Dark Room, my contribution for the Laser Tag Soundtrack in Los Angeles, CA, was selected among other experimental projects for broadcast on KCHUNG radio. |  |
Sliding Doors(March 2014) Sliding Doors is an immersive experience in a cube delimited by 8 loudspeakers set up at Slingshot Festival in Athens, GA. Imagine you are in room in which the walls and the ceiling can virtually open and close to reveal sound elements of another world. |  |
The Analyst remake(June 2013) While I was on tour with Fauve last year, I made a new version of The Analyst from the first album. It has just been released on the digital Be Kind, Don't Rewind EP. |  |
The Green Room(May 2013) The Green Room is my third attempt to bring together a sound and a picture for the Phono-Photo project. To me, the result somehow appears cinematic and puzzling. |  |
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The Noise Project (March-April 2013) As a part of the Noise Project run by Labspace Studio in Toronto, Canada, Noise Intercepted was a series of soundscape challenges to which I took part among more than 280 collaborators from 28 countries. |  |
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Cardinal Shift(November 2012) This composition for 16 loudspeakers was made for ZeppelinExpandit2012, commissioned by the Barcelona Centre for Contemporary Culture, Spain. This event aimed at exploring the notion of sonic limits. |  |
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Record stack (again) (October 2012) Images from my previous contribution to the Detroit Billboard Art Project have been personally selected by New York based artist Katerina Lanfranco for a week long segment during the Billboard Art Project show in Atlanta, GA. |  |
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Record stack (June 2012) Another series of 10 pictures were showed in Detroit, MI. commissioned by the Billboard Art Project. The pictures show records on top of each other displaying cover edges in different conditions, from mint to torn. |  |
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Walk/Don't walk (May 2012) This series of 10 pictures were designed for a one-weekend group exhibition in Salem, OR, commissioned by the Billboard Art Project. The walking silhouettes taken from record covers evoke the link between pop music and the street. |  |
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Le Temps Suspendu (December 2011) Time suspended is a sonic postcard sent from Lausanne, Switzerland shortly before Christmas in response to the call for participation Audiourbanités launched by the French website Des Arts Sonnants. |  |
Slow-motion Nebraska (August 2011) This soundwork is an invitation to travel through time and space, transforming a 30-year old American story into an vibrating drone. |  |
Everyone is sheep until becoming wolf (July 2011) My participation in the Joensuu Soundscape Composition Contest (Finland) was worth the effort since it was awarded by the jury. |  |
Glasscell(May 2011) My second contribution to the Phono-Photo project explores new abstract territories. |  |
Frost (May 2010) Frost is my first contribution to the Phono-Photo project which collects works that combine a still picture with a sound recording. The connection between the two seeks to bring a new experience since the sound is neither a comment of the picture nor its audible part. |  |
